FILM STUDIES WORKSHEET: MAHARAJA (2024) Introduction: In contemporary Tamil cinema, Maharaja (2024), directed by Nithilan Saminathan, stands out as a masterclass in editing and non-linear storytelling. The film invites viewers into a layered narrative where time folds and unfolds, revealing truths in fragments. This blog explores how editing techniques shape the narrative structure and emotional resonance of Maharaja, based on a film studies worksheet designed by Dr. Dilipsir Barad. (Click Here) Analysing Editing & Non-Linear Narrative PART A: BEFORE WATCHING THE FILM What is non-linear narration in cinema? Non-linear narration is a storytelling method where events are presented out of chronological sequence. Instead of moving directly from beginning to end, the narrative jumps between past, present, and future. This technique can enhance suspense, deepen character exploration, and reveal information strategically. Example: In Maharaja (2024),...
Screening of short film “An Astrologer’s Day” based on R.K.Narayan’s “An Astrologer’s Day”. Recently, as part of a task given by Megha ma’am, we watched the short film adaptation of R.K. Narayan’s An Astrologer’s Day. This screening offered a fresh perspective on the classic short story, bringing its characters, setting, and themes to life on screen. It was an opportunity to reflect on how the film interprets Narayan’s narrative and to compare the cinematic elements with the original text. ( Click Here) Pre viewing task Observe the setting, plot, character, structure, style, theme of the original short story. Literary Elements of An Astrologer’s Day - Setting The story is set in a bustling Indian marketplace near Town Hall Park, alive with vendors, crowds, and flickering lights. The astrologer works under a tamarind tree, surrounded by magicians, hawkers, and auctioneers, all competing for attention. The semi-darkness—lit by gas lamps, flares, and cycle lights—creates an atm...